Friday, November 25, 2016
I must have read my way through every last book in Gordon R. Dickson's Dorsai series when I was a teenager or close enough. Even at the time I think I realised that the military strategy that formed the centrepiece of the books and made The Dorsai into the most formidable fighting force in the known galaxy was pretty hazy... still, they were a good read. So I was intrigued to come across this Ace Books edition of Lost Dorsai which is really packed with black and white illustrations. The artist is credited only as Fernando, but I suspect this is Spanish comic book artist Fernando Fernandez. For the most part they are fairly standard 1970s/80s comic book stuff but there's a significant number that show a real sophistication, which tickle my love of inky black and white mark-making, and which seem to stand at a real junction between the psychedelic 70s and the over-glamorised 1980s.
Strange to say that two days after I came across the first pile of Films and Filming magazines blogged a few days ago, I was in yet another bookshop and there was another small selection. There will be more to come from the insides of some of these in the coming days and weeks I'm sure.
Tuesday, November 22, 2016
Monday, November 21, 2016
Theodore Wratislaw. Fragments of a Life by D. J. Sheppard. With this publication from Rivendale Press one of the last obvious biographical holes of the 1890s is finally plugged. Wratislaw was one of the few great names of the 90s still crying out for a full-length treatment. I haven't yet read the book so this can't be a review but there is a lot of buzz around the book and it's all good so I can't wait to get my teeth into it. If you can't wait either then you can buy it from Amazon.co.uk (NOT .com) or direct from Rivendale. Here is the blurb:
Theodore Wratislaw is one of the most biographically elusive figures of the ‘decadent’ 1890s. Though invariably named in accounts of the period, he remains a marginal figure, crowded out by more notorious contemporaries. When noticed, it is usually as an imposter who, whilst adopting the decadent – and, on occasion, homoerotic – pose in his poetry, lived the convention-bound life of a civil servant. The accusation of insincerity has stuck, and had a deleterious impact on the assessment of his work.
As the present volume reveals, however, the accusation is based on a mistaken view of his life. Contrary to John Betjeman’s assessment of the ‘buttoned up figure obviously longing to burst out of his narrow neatness,’ Wratislaw’s struggle was to maintain some semblance of bourgeois respectability rather than to escape it. Besides recurring mental illness, he experienced trials and tribulations in his private life on a scale to rival almost any of his peers included amongst Yeats’s ‘tragic generation.’
Hardback: 15.6 x 23.4 cm., 296 pp. 15 black and white illustrations
ISBN 978 1 904201 23 4
£40.00 / $50.00
Sunday, November 20, 2016
The illustrator Pierre Joubert and the photographer Robert Manson pretty much had the image of the Scoutisme movement in France sewn up between them in the early and mid-twentieth century. These late 50s covers for Scout magazine show just how design conscious the movement was and how, though cheaply produced, they managed to create an image for scouting which was then completely contemporary and now, deliciously retro.
Saturday, November 19, 2016
I mentioned that we might be seeing more from Films and Filming; in their day they represented a gay 'eye' looking at the cinema of the time and so today they are great for discovering little-known films from the period that still have some resonance today. This page (below) for example which introduced me to a version of Hamlet from 1976, directed by Celestino Coronado and produced on a budget of £2,500 with just six onscreen actors, two of whom, twins Anthony and David Meyer, played Hamlet. Of the other four you may know at least two others: Helen Mirren and Quentin Crisp. Of course, Youtube comes to the rescue once our interest has been piqued. It's a uniqely 1970s production with near naked twins (Hamlet's two 'sides') cavorting with each other throughout and also playing both Hamlet and the ghost of Hamlet's father in an extended opening scene. The posing-pouched wrestling match between the two Hamlets towards the end throws shade on Oliver Reed and Alan Bates!
Halcyon by Pierre Herbart, translated by Agnes Mackay and illustrated by John Harrison. Published by John Lehmann in 1948. Not a very valuable book but you can nearly always rely on John Lehmann for quality. I didn't buy this in the end, but now that I look back at the quick snaps I took of the illustrations I begin to wish I had. So apologies for the phone-quality photographs... another one that got away...
Friday, November 18, 2016
In the past we have had a look a the front covers of book catalogues by a number of different booksellers including, of course, Jacqueline Wesley. It's always interesting to see what images booksellers use to attract us in to their wares: I have had to make such decisions myself on many occasions and it is not always easy.
This small group came my way the other day, the first 5(ish) catalogues issued by Delectus Books; unlike many booksellers mentioned on this blog Delectus are still going strong and are now quite a dominant force in 'our kind of books'. This is their own description of themselves:
"Delectus began in 1988 and are now the world`s leading dealers and publishers of erotica, sexology and curiosa. In addition we now stock books on Judaica, Islam and the Middle East, Criminology, Law, Policing & True Crime, Psychology, Psychoanalysis, Medicine & Health, Anthropology, Folklore & Ethnology (Latin America, Africa, Asia, Middle East, Ireland), Politics, Sociology, Education, Economics & Social History, Decadence, Literature, Poetry, Theatre, Symbolists, Surrealism & the 1890s, Occult, Astrology, Spiritualism, Theology, Theosophy, Drugs, Alcohol and Addiction, Gothic, Horror, Fantasy, Vampires & Werewolves and similar subject areas. Our current printed catalogue of Erotica & Sexology can be E-mailed on request. Please note we are an internet and mail order business only. We supply books to collectors, academics and institutions such as the British Library, The Wellcome Institute, The University of California and other libraries around the world. We also supply images, text, and film for magazine publication, TV and film and also provide research and information service for TV and Radio."
You can browse and/or search their stock from their current abebooks seller page.
It is traditional when flicking through old book catalogues to find a book whose price seems a 'steal' and sigh wistfully at what you might have to pay for it today. In this instance though we can be even more amused to discover a book in catalogue six from 1992 (14 years ago) which you might have bought for £20; a very scarce and small pamphlet of poems by Frieda Harris, the woman who created the artwork for Aleister Crowley's "Thoth Tarot". Then we discover that the same bookseller lists it again today (no way of knowing if it is the same copy) for £400. And who says that books aren't an investment!?
It is easy to be wry and cynical about such things of course but actually old book catalogues are invaluable, particularly within niche subjects and I have already found reference to four or five books here that I had never heard of and know I will have to track down in the near future.
Thank you to Cosmo who, in the comments to the last post, provided a link to this little classic, a 1937 Post Office recruitment film made by the GPO Film Unit back in the days when all schoolboys spoke like cockney urchins and all managers like Prince Charles. I thought it was fun enough to deserve to be elevated from the comments and put here in plain sight!
Tuesday, November 15, 2016
Films and Filming which ran from 1954-1990 never made this claim for itself but no one can be in any doubt that this was a magazine for gay men when, for much of it's time such things were either illegal or in their infancy. Under the proprietorship of Philip Dosse and the editorship of Robin Bean (and others), the covers and coverage became more and more gay until it was barely possible to claim that these are even 'coded' for the eye of the closet homosexual of the day. No other supposedly mainstream magazine was going to give front cover status to Jarman's Jubilee and Sebastiane or Pink Narcissus. But they also managed to find an 'angle' on some otherwise unpromising titles; you might be wondering what little known independent gay film is illustrated on the front of April 1973 (below), in fact this was the still chosen to illustrate Zeffirelli's Brother Sun Sister Moon. Full frontal male nudity was not unknown in a way that wouldn't be tolerated today even.
There is a very helpful paper on the history of Films and Filming by Maruo Giori at acedemia.edu, you have to jump through a few hoops to download it but it's worth it.
I rather liked this description of Robin Bean from someone who knew him a little on an online forum about the magazine "very mysterious, dressed in black, a cloak even, tended to and fawned over by various young men."